Inside the Fearless Debut of a Pop Culture Powerhouse

After years of penning hits for global icons and touring with pop royalty, this multitalented artist is finally stepping into the spotlight on her own terms. Her highly anticipated debut album isn’t just a collection of songs—it’s a fearless statement, rooted in raw emotion, intention, and hard-earned independence. “It’s wild that I’m just now saying the words ‘debut album,’” she reflects. “I’ve been doing this for so long, but now I finally own the masters, the visuals are locked, and there’s no one in my way. This is mine.” With themes ranging from heartbreak to healing, her upcoming project captures the full spectrum of the human experience—no filler, just feeling. “If I did my job right, you’ll want to dance, cry, and feel every bit of it.”

Her path to this moment was far from linear. From writing for A-listers to opening arena tours with Britney Spears and Avicii, she’s learned to command stages of all sizes. “The Britney tour was a huge leap from small clubs to massive arenas. Nicki Minaj gave me advice and had my back from day one, and that confidence carried me forward.” Ironically, it’s the intimate rooms—not the arenas—that bring the biggest butterflies. “Big crowds are easy. It’s the small ones that scare me.”

But her creative expression extends far beyond music. A lifelong lover of fashion, she’s cultivated a distinct visual identity that speaks as loudly as her lyrics. “Shooting for GRRUV was amazing—so many talented women in one room. I love being a muse, but I also know what aligns with my brand. I trust my gut.”

Her roots fuel her artistry. As an Iranian-American, her boldness is generational. “My father fled during the revolution and started over washing dishes here in America. Persian art has always been rich, but often misrepresented. I carry that history with me in my blood—it’s why I have to be fearless.”

So, what would she tell her younger self? “Never let money dictate your creativity. I had to pass on an independent film I truly loved once because it didn’t pay very well. I regret not standing up to label executives who controlled my schedule at the time and push harder to find the space to do it. Now, I call the shots.”